Listening to music: people, practices and experiences has been Open Access funded by the Arts & Humanities Research Council (AHRC), grant AH/J013986/1. The collection has been edited by David Rowland and Helen Barlow, and subsequently prepared for online publication by the Knowledge Media Institute (KMi) of The Open University.
The Open University
Milton Keynes MK7 6AA
Copyright © The Open University
First published: July 2017
If you have any questions about using materials from this site, please email FASSfirstname.lastname@example.org. We would be delighted to hear from you and will normally reply within 10 working days. To report a technical issue with the website, please also email: FASSemail@example.com.
The materials available on this website are released under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. This allows you to use the materials throughout the world without payment but for non-commercial purposes only. Please read the Creative Commons Licence in full before downloading or otherwise making use of the materials.
When using materials from the site you must acknowledge The Open University (the OU) as copyright holder, and/or any identified author, in accordance with the terms of the Creative Commons Licence and our syndication policy as outlined below:
- Content MUST retain brand association, where applicable
- Content MUST retain proper attribution to the OU along with links back
- Content MUST have ‘canonical referencing’; that is, a natural search for syndicated content will deliver the user to The Open University, not the third-party who has provided a potentially high-profile but additional platform for OU content
The copyright and intellectual property rights in this website are owned by The Open University. This site also contains proprietary materials which are licensed to the OU and which along with OU’s logos and trademarks are not subject to the terms of the Creative Commons Licence. These materials include certain videos and photos (see acknowledgements below), and the design, layout, appearance of and graphics contained within this site. Unauthorised use of these materials may constitute intellectual property infringement.
If quoting from this collection, we recommend you quote the source as: Helen Barlow and David Rowland (eds). Listening to music: people, practices and experiences, The Open University, 2017, http://ledbooks.org/proceedings2017, together with the date you accessed the site. If you are quoting a specific chapter from this collection, please identify the author, chapter title and the collection details (above).
We would like to thank our colleagues on the Listening Experience Database project team, Mathieu d’Aquin and Alessandro Adamou, and our editor Louise Reilly, for the hard work, care and creativity they have put into developing this online publication. Thanks also go to all those individuals identified within the collection chapters who have given permission for their photos and video clips to be used.
Unless specifically stated within the chapter, the Creative Commons Licence does not apply to these photos and video clips.
- Main photo: Yes Music in the Amphitheater, students listening to music, 1970. Photo: © Ed Uthman.
- Eva Moreda Rodriguez: Figure 1: Advertisement by Fonotipia and Odeón, including María Barrientos as one of their featured artists, published in La Vanguardia, 20 September 1908; Figure 2: Advertisement by Viuda de Aramburo, published in Blanco y negro on 22 May 1897; Figure 3: Advertisement by La Fonográfica Madrileña, published in ABC on 6 January 1909
- Irene Pang: Figure 1: Map of Shanghai, 1937 (Source: http://www.virtualshanghai.net/Maps/Collection, accessed 21 June 2017)
- Fiona Richards: Figure 1: Yorkshire Training College of Music (Source unknown); Figure 2: High Stacks, Flamborough Head (Source: Geograph website, http://www.geograph.org.uk/photo/4014485, accessed 1 June 2017; Copyright © Scott Robinson and licensed for reuse under the Creative Commons Licence, https://creativecommons.org/licenses/by-sa/2.0/); Figure 3: Nun Appleton Hall (Source: Geograph website, http://www.geograph.org.uk/photo/4103714, accessed 1 June 2017; copyright © Ian S and licensed for reuse under the Creative Commons Licence, https://creativecommons.org/licenses/by-sa/2.0/); Figure 4: Paradise Gardens (Source: Drawing by Richard A. Bell, illustrating Baines’s diary entry 3 June 1918, designed for ‘The Yorkshire of William Baines’, Harrogate Festival Exhibition booklet, August 1972. With thanks to Richard A. Bell for permission to re-use in this chapter)
- Simon Brown: Figure 3: Sir Edward Elgar and the London Symphony Orchestra on the platform of the Queen’s Hall (Source: Scanned from The Musical Times, vol. 52, No. 825, 1 November 1911, pp. 705–707.)
- Ian Trowell, Figure 1: King’s Lynn Mart Fair 2014 with Albert Evans’ Waltzer (Source: Photograph © Ian Trowell); Figure 2: Albert Evans’ Waltzer steps and canopy, King’s Lynn Mart 2016 (Source: Photograph © Ian Trowell); Figure 3: Riding the edges of the Speedway Ark, Knutsford 1984 (Source: Photograph © Ian Trowell); Figure 4: Waltzer riders, 1984 (Source: Photograph © Ian Trowell); Figure 5: Albert Evans’ Waltzer car detail with Banararama, Retford Fair 1984 (Source: Photograph © Ian Trowell); Figure 6: Albert Evans’ Waltzer canopy detail with Donna Summer, King’s Lynn Mart 1984 (Source: Photograph © Ian Trowell); Video 1: Atmosphere Creator during Boston May Fair 2011 (Source: Copyright © David Wragg)
- Robert Fraser: Figure 1: Transcription of Ewe drumming music (Source: A. M. Jones, Studies in African Music (1959), as reproduced in Robert Fraser, West African Poetry: A Critical History (1986)); Figure 2: Transcription of Ewe Agbadza dance (Source: Steve Reich, Writings on Music 1965–2000 (2002))
Every effort has been made to contact copyright holders. If any have been inadvertently overlooked we will make the necessary arrangements at the next available opportunity.
We are not aware of any cookies being stored by our website onto user devices. This can be verified through online cookie checkers.