The Experience of Listening to Music: Methodologies, Identities, Histories has been Open Access funded by the Arts & Humanities Research Council (AHRC), grant AH/N006720/1. The collection has been peer reviewed, edited by David Rowland and Helen Barlow, and subsequently prepared for online publication by the Knowledge Media Institute (KMi) of The Open University.
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First published: July 2019
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If quoting from this collection, we recommend you quote the source as: Helen Barlow and David Rowland (eds). The Experience of Listening to Music: Methodologies, Identities, Histories. Milton Keynes: The Open University, 2019, https://ledbooks.org/proceedings2019, together with the date you accessed the site. If you are quoting a specific chapter from this collection, or part of a chapter, please identify the author, chapter title and the collection details (above) as well as the section url, for example, https://ledbooks.org/proceedings2019/#sec_1083_h2_case-studies
We would like to thank our colleagues on the Listening Experience Database project team, Damian Dadson and Enrico Motta, and our editor Louise Reilly, for the hard work, care and creativity they have put into developing this online publication. Thanks also go to all those individuals identified within the collection chapters who have given permission for their photos and video clips to be used.
Unless specifically stated within the chapter and/or below, the Creative Commons Licence does not apply to these photos.
- Main photo: Image from page 501 of ‘New York by sunlight and gaslight: a work descriptive of the great American metropolis; its high and low life; its splendors and miseries; its virtu’, 1882). James D. McCabe, 1842–1883, https://commons.wikimedia.org/wiki/File:New_York_by_sunlight_and_gaslight_-_a_work_descriptive_of_the_great_American_metropolis;_its_high_and_low_life;_its_splendors_and_miseries;_its_virtu_(1882)_(14776945171).jpg
- Martin V. Clarke: Figure 1: The Book of the Common Prayer – printed by John Baskerville, Public Domain, https://commons.wikimedia.org/w/index.php?curid=12130813; Figure 2: Salisbury Cathedral © Antony McCallum https://www.wyrdlight.com
- Stephanie E. Pitts: Figures 1 and 2: Write-Draw Card (author’s own images).
- Dave Russell: Figure 1: Oxford Music Hall 1875 – by London Theatre Museum collection, Public Domain, https://commons.wikimedia.org/w/index.php?curid=19934650.
- Rebecca Rinsema: Figures 1 to 6: Reproduced with permission of the licensor through PLS Clear. Licensor: INFORMA UK LIMITED (Company number – 01072954). Publisher: INFORMA UK LIMITED. Licensed Material: Listening in Action (ISBN/ISSN: 9780815378471), figures: 5.2 balanced integration in consciousness, p. 96; 5.3 imbalanced integration in consciousness, music p, 97; 5.4 imbalanced integration in consciousness, activity p. 98; 5.5 integration in action with causal interaction p. 99; 6.1 integration in consciousness over time p. 113.
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