Copyright, contacts and acknowledgements

Publication details

The Experience of Listening to Music: Methodologies, Identities, Histories has been Open Access funded by the Arts & Humanities Research Council (AHRC), grant AH/J013986/1. The collection has been peer reviewed, edited by David Rowland and Helen Barlow, and subsequently prepared for online publication by the Knowledge Media Institute (KMi) of The Open University.

Published by:
The Open University
Walton Hall
Milton Keynes MK7 6AA

Copyright © The Open University
First published: July 2019
ISBN: 9781473028647

Contact

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The copyright and intellectual property rights in this website are owned by The Open University. This site also contains proprietary materials which are licensed to the OU and which along with OU’s logos and trademarks are not subject to the terms of the Creative Commons Licence. These materials include certain videos and photos (see acknowledgements below), and the design, layout, appearance of and graphics contained within this site. Unauthorised use of these materials may constitute intellectual property infringement.

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Quoting materials

If quoting from this collection, we recommend you quote the source as: Helen Barlow and David Rowland (eds). The Experience of Listening to Music: Methodologies, Identities, Histories. Milton Keynes: The Open University, 2019, https://ledbooks.org/proceedings2019, together with the date you accessed the site. If you are quoting a specific chapter from this collection, please identify the author, chapter title and the collection details (above).

Acknowledgements

We would like to thank our colleagues on the Listening Experience Database project team, Damian Dadson and Enrico Motta, and our editor Louise Reilly, for the hard work, care and creativity they have put into developing this online publication. Thanks also go to all those individuals identified within the collection chapters who have given permission for their photos and video clips to be used.

Photo acknowledgements

Unless specifically stated within the chapter and/or below, the Creative Commons Licence does not apply to these photos.

  • Main photo: xxxxx [details to add when chosen]
  • Martin V. Clarke: Figure 1:  The Book of the Common Prayer – printed by John Baskerville, Public Domain, https://commons.wikimedia.org/w/index.php?curid=12130813; Figure 2:  Salisbury Cathedral © Antony McCallum https://www.wyrdlight.com
  • Helen Barlow: Figure 1: Title page of The Welsh Outlook, just one of a number of periodicals in both languages that capitalised on the national mood of progress and looking outwards (author’s own photo). Figure 2: Welsh Folk Song Society membership list (author’s own photo).
  • Stephanie E. Pitts: Figures 1 and 2: Write-Draw Card (author’s own images).
  • Dave Russell: Figure 1: Oxford Music Hall 1875 – by London Theatre Museum collection, Public Domain, https://commons.wikimedia.org/w/index.php?curid=19934650.
  • Rebecca Rinsema: Figures 1 to 6: Reproduced with permission of the licensor through PLS Clear. Licensor: INFORMA UK LIMITED (Company number – 01072954). Publisher: INFORMA UK LIMITED. Licensed Material: Listening in Action (ISBN/ISSN: 9780815378471), figures: 5.2 balanced integration in consciousness, p. 96; 5.3 imbalanced integration in consciousness, music p, 97; 5.4 imbalanced integration in consciousness, activity p. 98; 5.5 integration in action with causal interaction p. 99; 6.1 integration in consciousness over time p. 113.

Every effort has been made to contact copyright holders.  If any have been inadvertently overlooked we will make the necessary arrangements at the next available opportunity.

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